Poetic Resonance: Dwelling in the Affective Ripples of Ethnography
This thematic thread presents experiments, exercises, and reflections stemming from a two-day collaborative, practice-led workshop with ‘poetic resonance’.
This thematic thread presents experiments, exercises, and reflections stemming from a two-day collaborative, practice-led workshop with ‘poetic resonance’.
When I am in spaces where poetry is performed, there are invisible yet palpable forces which raise my heartbeat, make my tears well up, and give me goosebumps.
What does it mean to do research with climate? This essay reflects on the potential of poetic resonance as a method of creative experimentation and (auto)ethnographic practice, attuning the researcher/writer to the sensory experience of body and place.
This essay explores how poetic resonance can deepen ethnographic analysis by attuning to sensorial, embodied, and existential dimensions of experience.
In this essay, I trace the force of fury that emerged within a single ethnographic moment and later saturated the analysis.
This essay explores how the poetic resonance protocol enabled a deeper, embodied engagement with my ethnographic object: a poetry workshop conducted with wildfire-affected residents in northern Germany.
During a multispecies ethnographic fieldwork in a Danish private garden, I encountered a weird-looking gourd (Calabash) that was turned into a birdhouse.
This experimental essay treats uncertainty as bodily and relational and uses rhythm as a way of noticing it. It begins in the writing vibrations of the Poetic Resonance Protocol and carries their structure through the composition of the piece.
This afterword reflects on the practice of ethnography through the metaphor of the anthropologist as a tuning fork—an embodied instrument attuned to the subtle or violent vibrations of lived experience whilst working through ethnographic materials.