‘Is this still life all I’m good for too?’
A review of the film Open Unit. The appearance of a new Smith film from Paul Antick is a source […]
Living Water, living with lively waters (part 2)
In What is Water? The History of a Modern Abstraction, geographer Jamie Linton (2010: 14) describes “modern water” as the
Living Water and the politics and anti-politics of water in Jordan (Part 1)
We are often told that Jordan is one of the most water-poor countries on the planet and it is
White Faces: Reframing memory
“It was so special” appears in simple white letters on a black screen while the performer Yadgar Bakir is speaking
‘All the world’s a stage?’ A review of Bruno Latour’s Gaïa Global Circus
Theatre, it could be argued, involves three major concerns: warning (criticism), representation (mimesis), and collective aesthetic imagination (aisthesis/poïesis). While the