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	<title>Film, Theatre or Exhibition Review Archives - Allegra Lab</title>
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	<description>Anthropology for Radical Optimism</description>
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		<title>State of Address v DOGE  </title>
		<link>https://allegralaboratory.net/state-of-address-v-doge/</link>
					<comments>https://allegralaboratory.net/state-of-address-v-doge/#respond</comments>
		
		<dc:creator><![CDATA[Paul Antick]]></dc:creator>
		<pubDate>Fri, 12 Sep 2025 08:00:00 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[bureaucracy]]></category>
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					<description><![CDATA[<p>I love Ikuno Naka’s and Garima Jaju’s film State of Address. I have my reasons. They’ve something to do with [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/state-of-address-v-doge/">State of Address v DOGE  </a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>‘Is this still life all I&#8217;m good for too?’</title>
		<link>https://allegralaboratory.net/is-this-still-life-all-im-good-for-too/</link>
					<comments>https://allegralaboratory.net/is-this-still-life-all-im-good-for-too/#respond</comments>
		
		<dc:creator><![CDATA[William Brown]]></dc:creator>
		<pubDate>Fri, 21 Feb 2025 07:15:00 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[ethnographic films]]></category>
		<category><![CDATA[space/place]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[urbanism]]></category>
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					<description><![CDATA[<p>A review of the film Open Unit. The appearance of a new Smith film from Paul Antick is a source [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/is-this-still-life-all-im-good-for-too/">‘Is this still life all I&#8217;m good for too?’</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>Living Water, living with lively waters (part 2)</title>
		<link>https://allegralaboratory.net/living-water-living-with-lively-waters-part-2/</link>
					<comments>https://allegralaboratory.net/living-water-living-with-lively-waters-part-2/#respond</comments>
		
		<dc:creator><![CDATA[Chakad Ojani]]></dc:creator>
		<pubDate>Thu, 02 Dec 2021 07:41:57 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[crisis]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[infrastructure]]></category>
		<category><![CDATA[politics]]></category>
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					<description><![CDATA[<p>In What is Water? The History of a Modern Abstraction, geographer Jamie Linton (2010: 14) describes “modern water” as the [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/living-water-living-with-lively-waters-part-2/">Living Water, living with lively waters (part 2)</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>Living Water and the politics and anti-politics of water in Jordan (Part 1)</title>
		<link>https://allegralaboratory.net/living-water-and-the-politics-and-anti-politics-of-water-in-jordan-part-1/</link>
					<comments>https://allegralaboratory.net/living-water-and-the-politics-and-anti-politics-of-water-in-jordan-part-1/#respond</comments>
		
		<dc:creator><![CDATA[Geoffrey Hughes]]></dc:creator>
		<pubDate>Thu, 02 Dec 2021 07:38:47 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[development]]></category>
		<category><![CDATA[infrastructure]]></category>
		<category><![CDATA[politics]]></category>
		<guid isPermaLink="false">https://allegralaboratory.net/?p=36850</guid>

					<description><![CDATA[<p>&#160; We are often told that Jordan is one of the most water-poor countries on the planet and it is [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/living-water-and-the-politics-and-anti-politics-of-water-in-jordan-part-1/">Living Water and the politics and anti-politics of water in Jordan (Part 1)</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
]]></description>
		
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		<title>White Faces: Reframing memory</title>
		<link>https://allegralaboratory.net/review-white-faces-reframing-memory-performanceart/</link>
					<comments>https://allegralaboratory.net/review-white-faces-reframing-memory-performanceart/#respond</comments>
		
		<dc:creator><![CDATA[Christine Moderbacher]]></dc:creator>
		<pubDate>Mon, 22 Jan 2018 08:00:31 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[methods]]></category>
		<category><![CDATA[time]]></category>
		<guid isPermaLink="false">https://allegralaboratory.net/?p=27045</guid>

					<description><![CDATA[<p>“It was so special” appears in simple white letters on a black screen while the performer Yadgar Bakir is speaking [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/review-white-faces-reframing-memory-performanceart/">White Faces: Reframing memory</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
]]></description>
		
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		<title>‘All the world’s a stage?’ A review of Bruno Latour’s Gaïa Global Circus</title>
		<link>https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/</link>
					<comments>https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/#respond</comments>
		
		<dc:creator><![CDATA[Jonas Tinius]]></dc:creator>
		<pubDate>Tue, 03 Mar 2015 08:16:11 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
		<category><![CDATA[academic event]]></category>
		<category><![CDATA[art]]></category>
		<guid isPermaLink="false">https://allegralaboratory.net/?p=11246</guid>

					<description><![CDATA[<p>Theatre, it could be argued, involves three major concerns: warning (criticism), representation (mimesis), and collective aesthetic imagination (aisthesis/poïesis). While the [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/">‘All the world’s a stage?’ A review of Bruno Latour’s Gaïa Global Circus</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
]]></description>
		
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