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	<title>Jonas Tinius, Author at Allegra Lab</title>
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		<title>New Anthropologies of Political Performance &#8211; thematic thread on performance</title>
		<link>https://allegralaboratory.net/new-anthropologies-of-political-performance-thematic-thread-on-performance-2/</link>
					<comments>https://allegralaboratory.net/new-anthropologies-of-political-performance-thematic-thread-on-performance-2/#respond</comments>
		
		<dc:creator><![CDATA[Jonas Tinius]]></dc:creator>
		<pubDate>Sat, 24 Oct 2015 11:00:11 +0000</pubDate>
				<category><![CDATA[Performance]]></category>
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		<category><![CDATA[migration]]></category>
		<category><![CDATA[politics]]></category>
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					<description><![CDATA[<p>Definitions of ‘performance’ abound. Some of the principal reasons for anthropologists’ continued interest in the subject of performance are the [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/new-anthropologies-of-political-performance-thematic-thread-on-performance-2/">New Anthropologies of Political Performance &#8211; thematic thread on performance</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>‘All the world’s a stage?’ A review of Bruno Latour’s Gaïa Global Circus</title>
		<link>https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/</link>
					<comments>https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/#respond</comments>
		
		<dc:creator><![CDATA[Jonas Tinius]]></dc:creator>
		<pubDate>Tue, 03 Mar 2015 08:16:11 +0000</pubDate>
				<category><![CDATA[Film, Theatre or Exhibition Review]]></category>
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					<description><![CDATA[<p>Theatre, it could be argued, involves three major concerns: warning (criticism), representation (mimesis), and collective aesthetic imagination (aisthesis/poïesis). While the [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/all-the-worlds-a-stage-a-review-of-bruno-latours-gaia-global-circus/">‘All the world’s a stage?’ A review of Bruno Latour’s Gaïa Global Circus</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>‘15 Minutes’: Artistic responses to German refugee temporalities</title>
		<link>https://allegralaboratory.net/15-minutes-artistic-responses-to-german-refugee-temporalities-refugees/</link>
					<comments>https://allegralaboratory.net/15-minutes-artistic-responses-to-german-refugee-temporalities-refugees/#respond</comments>
		
		<dc:creator><![CDATA[Jonas Tinius]]></dc:creator>
		<pubDate>Tue, 24 Feb 2015 11:00:40 +0000</pubDate>
				<category><![CDATA[Refugees]]></category>
		<category><![CDATA[Threads]]></category>
		<category><![CDATA[art]]></category>
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					<description><![CDATA[<p>“Early in the morning”, one of my informants, a 39 year-old Iranian political refugee and former lecturer at the University [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/15-minutes-artistic-responses-to-german-refugee-temporalities-refugees/">‘15 Minutes’: Artistic responses to German refugee temporalities</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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		<title>The Politics of Framing and Staging. Interdisciplinary approaches to performance</title>
		<link>https://allegralaboratory.net/the-politics-of-framing-and-staging-interdisciplinary-approaches-to-performance/</link>
		
		<dc:creator><![CDATA[Jonas Tinius]]></dc:creator>
		<pubDate>Thu, 13 Nov 2014 05:00:02 +0000</pubDate>
				<category><![CDATA[DanceExtravaganza]]></category>
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		<category><![CDATA[academia]]></category>
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					<description><![CDATA[<p>Bernardo: Who’s there? Francisco: Nay, answer me: stand and unfold yourself! [i] These opening lines of Shakespeare’s Hamlet create a scenario [&#8230;]</p>
<p>The post <a href="https://allegralaboratory.net/the-politics-of-framing-and-staging-interdisciplinary-approaches-to-performance/">The Politics of Framing and Staging. Interdisciplinary approaches to performance</a> appeared first on <a href="https://allegralaboratory.net">Allegra Lab</a>.</p>
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